Juana Azurduy de Padilla (July 12, 1780 – May 25, 1862) was a remarkable guerrilla military leader from Chuquisaca, Viceroyalty of the Río de la Plata, known today as Sucre, Bolivia. She played a pivotal role in the fight for Bolivian and Argentine independence alongside her husband, Manuel Ascencio Padilla, and earned the rank of Lieutenant Colonel. Notably, Azurduy was a fierce advocate and military leader for the indigenous people of Upper Peru, leaving a lasting impact on both Bolivia and Argentina. Her dedication and bravery have solidified her status as an independence hero in these nations. In 2015, a statue of Azurduy was erected in Buenos Aires, Argentina, replacing the controversial statue of Christopher Columbus in front of the Centro Cultural Kirchner.Born to a unique family under the strict casta system of Spanish colonial rule, Azurduy defied societal expectations and became a skilled rider and sharpshooter under the guidance of her father. Fluent in the languages of the indigenous people and deeply connected to their plight, she became an ardent ally of the indigenous revolutionary movement. Her marriage to Manuel Ascencio Padilla, a fellow revolutionary, was remarkably progressive, with Padilla actively supporting her on and off the battlefield.Azurduy's military career was marked by her involvement in various revolutionary movements, including the Chuquisaca Revolution and the

Juana Ramírez, also known as Juana "La Avanzadora," was a remarkable soldier and heroine of the Venezuelan War of Independence. Born into slavery around 1790, she played a pivotal role in the resistance against Spanish attempts to reconquer Venezuela after it gained independence. Notably, in 1813, Ramírez led an all-female artillery unit, demonstrating exceptional bravery and strategic prowess. Her nickname, "La Avanzadora," stemmed from her fearless advancement in battle. Even after her passing in 1856, her legacy continued to be honored. A monument, Juana La Avanzadora, was erected in her honor on Bolívar avenue in Maturín. In 2001, her symbolic remains were inducted into the National Pantheon of Venezuela, making her the first black woman to be posthumously laid to rest there. Furthermore, in 2023, a species of Venezuelan tarantula was named Xenesthis avanzadora in tribute to her courageous spirit. Juana Ramírez's unwavering determination and historic contributions have solidified her place as an enduring symbol of strength and resilience in Venezuelan history.

Juana de Dios María Francisca Ramona Ignacia de Iturbide y Huarte, born on March 10, 1812, was a member of the Mexican imperial family during a pivotal period in Mexico's history. As the daughter of Agustín I of Mexico and Empress Ana María, Juana's life was deeply intertwined with the political and social upheaval of the Mexican War of Independence. Despite her noble heritage and royal lineage, Juana's life was tragically cut short when she passed away at the age of 16 at the Georgetown Visitation Monastery in Washington, D.C.Born in New Spain, Juana was designated Princesa de México upon her father's accession in 1822. However, the Iturbide family's reign was short-lived, and they were eventually exiled from Mexico. After her father's execution, the Dowager-Empress Ana Maria moved the family to the United States, where Juana became a novice at the Visitation Monastery in Washington, D.C. On her deathbed, she professed herself a nun and took the name "Sister Margarita of Jesus, Marie, and Joseph."Despite her young age, Juana's life and legacy remain intertwined with Mexico's imperial history, reflecting the tumultuous and uncertain times of the Mexican monarchy. Her story provides a glimpse into the complexities of royal lineage and the personal sacrifices made during times of political upheaval.

Juana Alicia, born in 1953, is a renowned American muralist, printmaker, educator, activist, and painter. With over four decades of experience in education, she has made a significant impact in the art world. Alicia's sculptures and murals can be found across the San Francisco Bay Area, Nicaragua, Mexico, Pennsylvania, and various parts of California.Born in Newark, New Jersey, Alicia grew up in an African American community near the Detroit Institute of Art in Detroit, Michigan. She pursued her education at the University of California Santa Cruz, earning her Bachelor of Arts and Master of Fine Arts degrees, along with several teaching credentials.Alicia's journey as an artist and activist has been deeply intertwined with her advocacy for social justice and environmental consciousness. Notable among her works is the mural "Las Lechugeras," which portrays the struggles of female lettuce workers and addresses the issues of working conditions and pesticide poisoning in California.In addition to her artistic endeavors, Alicia has dedicated herself to nurturing young artists through teaching positions at various institutions, including Stanford University, San Francisco State University, and Berkeley City College.With a vibrant, complex, and dynamic painting style, Alicia aims to convey a sense of shared humanity and environmental appreciation. Her art seamlessly blends realism, abstraction, and surrealism, reflecting her versatile approach to storytelling through visual expression.

Juana Josefina Cavasos Barnard (c. 1822–1906) was a Mexican-American Indian captive, slaveowner, and pioneer in present-day Somervell County, Texas. Born in Matamoros, Tamaulipas, Mexico, she was abducted by Comanche near the Rio Grande river in 1844. After about a month, she was traded for $300 in horses and merchandise at the Tehuacana Creek Trading House. Cavasos married Charles E. Barnard and had fourteen children, six of whom survived into adulthood. She worked alongside her husband and his brother at the Comanche Peak trading house until the native American customers were sent to the Fort Belknap Indian Reservation in Oklahoma. In 1859, they used slave labor to construct the first building in present-day Glen Rose, Texas. They later sold the mill for $65,000. Cavasos passed away in 1906. Her life story, "My Life with the Indians," was preserved through an oral testimony given in 1900 to her granddaughter Verdie Barnard Alison. Today, plaques and historical markers throughout Texas commemorate the accomplishments of Juana and her husband, and a statue of them stands in Glen Rose, Texas.