Lucien Bouchard, born on December 22, 1938, is a prominent French Canadian lawyer, diplomat, and retired politician. He served as the 27th premier of Quebec from January 29, 1996, to March 8, 2001, and became a central figure for the "Yes" side in the 1995 Quebec referendum. Bouchard's early life saw him graduating from Jonquière Classical College in 1959 and obtaining a bachelor's degree in social science and a law degree at Université Laval in 1964. In politics, he affiliated himself with various parties with highly diverging ideologies, eventually founding the Bloc Québécois. Bouchard's tenure in the House of Commons included serving as a minister in the Mulroney cabinet and later forming the Bloc Québécois after declaring himself a sovereigntist. His complex relationship with politics and dedication to Quebec nationalism have made him a significant figure in Canadian political history.

Lucien Carr (1925-2005) was a pivotal figure in the original New York City circle of the Beat Generation during the 1940s. Despite a significant legal incident, he later served as an editor for United Press International. Carr's upbringing in New York City and St. Louis was marked by influential connections, including his mother's family ties to socially prominent St. Louis families. His encounter with David Kammerer, a teacher and acquaintance of William S. Burroughs, significantly impacted his life. Carr's academic journey took him from Phillips Academy to Bowdoin College and the University of Chicago, with Kammerer persistently following. His enrollment at Columbia University brought him into the orbit of Allen Ginsberg, Jack Kerouac, and William Burroughs, solidifying the core of the New York Beat scene. Known for his provocative behavior and penchant for shocking societal norms, Carr played a central role in shaping the Beat Generation's ethos. His dynamic interactions with fellow luminaries contributed to the movement's innovative spirit, earning him the moniker of "the glue" from Ginsberg.

Douglas Mesner, also known as Lucien Greaves, is an American social activist and co-founder of The Satanic Temple. Born in Detroit, Michigan, he studied neuroscience at Harvard and specialized in false-memory syndrome. Greaves has been a vocal advocate for Satanism, secularism, and The Satanic Temple at universities and national conferences. He has spearheaded projects such as the Protect Children Project and the After School Satan project, as well as political demonstrations and legal actions focusing on religious liberty and the separation of church and state. Despite facing death threats, Greaves remains committed to his cause and deliberately uses a pseudonym to protect his family. The Satanic Temple, envisioned by Greaves and his colleagues, serves as a reminder that religious privileges should be accessible to everyone and promotes personal sovereignty, independence, and freedom of will. Greaves is featured in the 2019 documentary film "Hail Satan?" and has contributed to various literary and artistic endeavors related to Satanism.

Lucien Ballard (May 6, 1904 – October 1, 1988) was a highly esteemed American cinematographer whose career spanned over 50 years and included collaboration with renowned directors such as Josef von Sternberg, John Brahm, Henry Hathaway, Budd Boetticher, Raoul Walsh, Sam Peckinpah, and Tom Gries. Born in Miami, Oklahoma, Ballard's Cherokee heritage was an integral part of his identity, as he was listed on the Dawes Rolls as 1/16th Cherokee by Blood. His journey into the film industry commenced at Paramount Studios in 1929, where he began as a camera assistant and swiftly ascended to the role of director of photography. Ballard's remarkable talent and technical expertise earned him accolades and opportunities to work on a diverse range of films, from westerns to comedies and dramas. Notably, his collaboration with director Henry Hathaway resulted in several successful films, including "The Sons of Katie Elder" and "True Grit," which garnered him immense acclaim within the industry. Ballard's legacy continues to be celebrated for his significant contributions to cinematography and his pioneering invention of the "catch light," which revolutionized on-screen lighting techniques. His indelible impact on the film industry solidifies his place as a legendary figure in the world of cinematography.

Lucien Hubbard (December 22, 1888 – December 31, 1971) was an influential American film producer and screenwriter, best remembered for his production of the 1927 film "Wings," which earned him the first Academy Award for Best Picture. Throughout his prolific career, Hubbard produced and wrote for a total of ninety-two films, leaving a lasting impact on the industry. Notably, his work on "The Vanishing American" (1925) portrayed Native Americans in a positive light, earning him an award from the Cherokee nation. Hubbard's keen eye for talent led him to mentor numerous individuals and advocate for writers, earning a reputation as a generous and discerning professional. Before his Hollywood success, Hubbard worked as a night editor for The New York Times, showcasing his diverse talents and interests. He also maintained a passion for polo and horseback riding, reflecting his multifaceted nature. With a steadfast commitment to his craft, Hubbard's contributions continue to resonate within the film industry.